Ask Our Authors - September 2026

Happy Publication Day everyone!

Our eighth Publication Day of 2026 brings a whole new collection of exciting stories, from a wonderful collective of talented authors!

To introduce them, we are continuing a fun feature for the year – Ask Our Authors – where we send all our newly published writers the same simple question to see how different each answer is…

 

For our September authors, we asked them: What does your typical writing routine look like?

 

 

Padraig McCormack

My writing routine is a little different from that of many authors because I balance writing with a busy career in the water industry and life as a father of three. Ideas tend to arrive when I'm driving, travelling for work or talking with my children, so I make a note of them and come back later when inspiration strikes. Patrick the Raindrop's Journey grew from two important parts of my life: my experience in the water industry and my desire to explain complex ideas to children in a fun and accessible way. I write in bursts, revisit my work several times and often rely on my children to tell me honestly whether the story works or not.

Padraig McCormack, author of Patrick the Raindrop's Journey.

Stephanie Inglis

I never leave home without a notebook. Wherever I go, I pay attention to the little details around me and challenge myself to turn those observations into haikus. Writing has become part of my everyday routine, allowing me to capture moments that might otherwise pass unnoticed. Whether I'm travelling or simply going about my day, I'm always looking for inspiration in the world around me.

Stephanie Inglis, author of A Journey Across Canada in Haikus.

Puppy Jack's Bad Dream

My book grew from real experiences with my daughter. Together, we talked about the fears and worries she experienced after bad dreams, and I wrote down the things she said and the comforting words that helped her feel safe. I wanted the story to feel fun and engaging for children, so I wrote it in rhyme, often spending time searching for exactly the right word. What started as a way to help my daughter overcome her fears became a story I hope will help other children sleep peacefully too.

Author of Puppy Jack's Bad Dream.

Liam Smith

For me, the hardest part of writing is always the beginning. Once I complete that first chapter, the story starts to come alive. I usually begin with a rough outline, but I rarely follow it exactly because the characters and plot often lead me somewhere unexpected. My approach is to keep moving forward, writing each chapter until I reach the end before returning to revise. If I spend too long perfecting one section, the story risks never being finished. Writing is a process of discovery, revision and refinement, and I embrace every stage of it.

Liam Smith, author of The Kingpin.

W.M.A. Bes

My day begins with Toby, my energetic young dog, who serves as both companion and alarm clock. Once he has had his morning walk, I settle down to write while the day is still quiet. Writing early helps me focus, and I find that the calm of the morning is the perfect time to immerse myself in a story. Sometimes inspiration arrives naturally, other times it takes a little patience, but beginning the day with creativity always feels rewarding.

W.M.A. Bes, author of The Mirror of the Soul.

Ema Stora

Writing has always been a passion that fits around the rest of life. I often write outdoors, surrounded by nature, or in coffee shops where I can observe people and the world around me. I don't always have large amounts of time available, so when inspiration comes, I make the most of it. Sometimes all it takes is one idea to start the creative process and lead me somewhere unexpected.

Ema Stora, author of Aggavar.

Julie Mundey

Most of my stories begin as memories. I keep notes on my phone whenever an idea, experience or anecdote captures my attention, and later I return to see what hidden message might be waiting there. Once I start writing, I prefer not to stop. The outside world fades away until the chapter is complete. Writing feels deeply personal to me, almost like reliving pieces of my life and transforming them into something meaningful. The moment I finish a chapter and feel a smile appear, I know I've reached the end of that particular journey.

Julie Mundey, author of Letters to My Daughter.

Flynn Dahlberg & Rickard Dahlberg

Our writing days usually begin early, with a chapter full of notes that needs transforming into scenes, dialogue and fully formed ideas. We find that stepping away for a walk often solves creative problems and sparks fresh inspiration. The writing itself continues throughout the day and often into the evening when unexpected ideas seem to appear out of nowhere. The process is repetitive, creative and sometimes chaotic, but that's part of the joy. Every day begins and ends with storytelling.

Flynn Dahlberg and Rickard Dahlberg, authors of Hallow Be This Night.

Jennie Meher

One piece of advice from my grandmother has shaped my entire creative process: empty your head before bed. Whenever an idea arrives, especially in the middle of the night, I write it down immediately. From there, I rely on small rituals to guide my writing, from the aroma of a favourite drink to quiet, uninterrupted focus. Once I've finished writing, I step away and spend time outdoors, allowing nature to clear my mind and make space for new ideas. For me, writing involves equal parts imagination, discipline and reflection.

Jennie Meher, author of She Fell.

Charlotte Williams

Writing has always felt like stepping into another world. Ideas arrive from people, places, music and everyday observations, and I capture them in notebooks filled with inspiration. One lesson I have learned is to keep writing and resist the temptation to constantly edit while creating. By allowing imagination to guide the first draft, I stay connected to the excitement of the story. There will always be time to revise later, but creativity flourishes when given freedom.

Charlotte Williams, author of The Persuasives.

Deborah J. Burris-Kitchen

Many of my ideas begin in dreams. I wake up with fragments of stories, emotions or images and immediately write them down without worrying about structure or perfection. My first drafts are often messy and overflowing with thoughts, but that's exactly how I like them. Once everything is on the page, I begin refining and trimming until only the most important words remain. Writing for me is a process of uncovering what I'm truly trying to say and then finding the clearest way to say it.

Deborah J. Burris-Kitchen, author of Overexposed.

Frank James Travers

I would describe my writing style as free-flowing rather than heavily planned. I start with a broad idea of the beginning, middle and end, but I leave plenty of room for characters and stories to evolve naturally. Some characters surprise me and become central to the story when I never intended them to. I prefer to write with a fresh mind in the morning, take regular walks to clear my head and allow ideas to develop organically. Flexibility is a vital part of my creative process.

Frank James Travers, author of Crushing Masks.

Shirley Agnela Menezes Sharma

My writing comes from a mixture of reality, personal experience and imagination. Every story reflects moments that have inspired me, made me think or stayed with me over time. I don't rely on technology or shortcuts when writing. Instead, I trust the process and allow stories to develop from lived experience and observation.

Shirley Agnela Menezes Sharma, author of Leo the Lab Gets to Walk.

J.C. Wood

I am fortunate to have a dedicated studio at the bottom of my garden where I can write and illustrate without distractions. Before I started writing seriously, I collected endless notes and ideas until I finally took time away from work and committed myself to the story. That momentum changed everything. My studio has gradually filled with objects connected to the world of Tales of Zaad, creating an environment that fuels my imagination. For me, writing is an immersive and almost meditative experience. It is a process of discovery, self-belief and trusting that the pieces will eventually come together.

J.C. Wood, author of Tales of Zaad: The Elemental Mountain.

Daniele McCarthy

I don't have a strict writing schedule. More often than not, my stories spend a long time developing in my imagination before I ever sit down to write them. Children's stories often arrive almost fully formed, and when they are ready, I write them in one sitting using voice-to-text before leaving them to rest for a few days. I also find inspiration in nature, journalling and the visual arts, often blending images, emotions and personal experiences into my work. For me, writing is closely connected to observation, reflection and allowing ideas to develop naturally in their own time.

Daniele McCarthy, author of Meatball and Diana.

Rachel Dack

For years I thought that being a serious writer meant following a perfectly structured routine, but I eventually realised that creativity doesn't work that way for everyone. My writing often happens in the small pockets of life, whenever inspiration appears or the house falls quiet. Sometimes that means dedicating an entire weekend to writing and allowing myself the freedom to create without distractions or expectations. I've learned that the most important thing is not to imitate someone else's process but to discover what works for you. Writing becomes much more enjoyable when you stop worrying about the "right" way and start following your own rhythm.

Rachel Dack, author of Whiny Walter.

Tim

My writing begins in a room filled with the things that inspired me as a child. From comic books to Disney memorabilia, my office constantly reminds me to view the world with curiosity and imagination. Most of my stories are rooted in memories, whether from my own childhood or experiences shared with my children. I usually start by jotting down notes and ideas the night before a writing session, then return to them the following morning and see where they lead. For me, storytelling is about preserving wonder and passing it on to future generations.

Tim, author of The Secret Adventures of Graymalkin.

RD Reynolds

I don't have a traditional writing routine because I write whenever inspiration strikes. Ideas can emerge from conversations, personal experiences, working with people or simply a thought that refuses to leave my mind. Once something captures my attention, I write it down without worrying whether it is perfect. My first drafts are often messy, but that's exactly how I like them. I believe creativity doesn't always arrive on a schedule, and some of the best ideas appear when you're doing something completely unrelated to writing.

RD Reynolds, author of Wild Women: Dance Like Gypsies in the Night.

Richard Lynn

My mornings begin early with coffee, breakfast and time spent with my wife and our three dogs before I settle into writing. I start each day by rereading the previous day's work and making simple notes about what I want to achieve. Writing fiction has taught me to surrender control more than my academic career ever did. The characters often dictate the direction of the story, and I've learned to trust where they lead. Retirement has given me the gift of uninterrupted focus, and I now spend my mornings doing something I genuinely love.

Richard Lynn, author of The Thin Line.

Chris Dewar

My writing journey began many years ago when I first created a story for my children. Over time, that idea evolved into the world of Dyrne Hill. I build stories using storyboards, historical research and personal experiences, often drawing inspiration from childhood adventures and places I've lived. Most of my writing takes place during evenings, weekends and holidays around a full-time job. I enjoy creating mysteries with atmosphere and nostalgia, and I spend a great deal of time ensuring every plot thread and detail connects properly before the story is complete.

Chris Dewar, author of Dyrne Hill – The Secret.

Author of WORDS

Writing has become a regular part of my daily life. I spend my mornings drafting, my lunch breaks worrying about what I've written and my afternoons editing and rewriting. It is not always glamorous. In truth, writing often involves persistence, research and a willingness to keep returning to the work until it finally says what you need it to say. Although every book brings unique challenges, I believe that dedication and consistency are what ultimately carry a project over the finish line.

Author of WORDS.

Jennifer Emerson Evans

As a business owner and mother, I don't have the luxury of waiting for the perfect writing conditions. Instead, I write wherever I can: in coffee shops, libraries, hotel rooms, at children's sports practices or whenever I find a spare hour. One lesson I have learned is that having little time does not mean you cannot write. Creativity often thrives in unexpected places, and progress comes from learning to work within life's chaos rather than waiting for ideal circumstances.

Jennifer Emerson Evans, author of Sirens of the Salted Sea.

SD Lee

When I'm working on a story, I set myself a simple goal of writing at least five hundred words a day. Most of that writing takes place during lunch breaks or weekend mornings when I can focus without interruption. Small, consistent progress has helped me complete projects while balancing the demands of everyday life. Sometimes writing is about inspiration, but often it is simply about showing up and moving the story forward one page at a time.

SD Lee, author of Absolution.

Eileen Law

Ideas arrive quickly and often unexpectedly, so I have developed a habit of writing them down wherever I am. Whether I'm using the notes app on my phone, talking through a plot point with someone nearby or researching details online, I try to capture inspiration before it disappears. I devote time each evening to writing, editing or research, and many sessions stretch far later than intended. Once I become immersed in a story, time seems to disappear altogether.

Eileen Law, author of Sandra's Lover.

R.J. Swales

Writing fits around family life, work commitments and daily responsibilities, so flexibility is essential. I often take notes while commuting or waiting for activities to finish and then dedicate time at weekends to developing those ideas into chapters. While I usually have a general plan for a story, I like giving ideas freedom to evolve naturally. Reading is also a huge part of my routine, as discovering how other writers tell stories continues to inspire my own creative journey.

R.J. Swales, author of A World Reminded.

Sue Wilson

My first novel emerged gradually, one small piece at a time, while caring for my husband. I never began with a detailed roadmap, and often I had no idea where the story would go next. Research, imagination and late-night inspiration all played important roles in shaping the narrative. Some of my best ideas arrived while lying in bed wondering how to challenge my characters further. Writing taught me that stories can develop in unexpected ways if you're willing to let them.

Sue Wilson, author of Rainbow Duet.

Rory Padraig Dunne

I write when inspiration appears rather than following a rigid schedule. Even when I'm not actively working on a project, ideas continue to circulate beneath the surface, waiting for the right moment to emerge. Writing articles, blogs and shorter pieces helps keep my creative instincts sharp between larger projects. For me, writing remains one of life's great joys, something I return to because I genuinely love the craft and the opportunities it provides for exploration and reflection.

Rory Padraig Dunne, author of The Wild Geese and the Phoenix.

Sierra La Rue Redfield

Most of my writing happens long before I sit down with a keyboard. Ideas often follow me through daily life while I'm walking, driving, cooking or simply thinking. I enjoy allowing concepts to develop slowly, giving them time to grow and reveal what they want to become. By the time I begin writing, entire phrases and sentences may have been repeating in my mind for days. My best advice is to pay attention to the ideas that stay with you because they are often trying to tell you something important.

Sierra La Rue Redfield, author of Bliss Born of Pain.

Sathari Kam

Every project arrives differently. Sometimes poems emerge while moving through nature, while songs begin with music before words ever appear. Inspiration can strike in a park, during a walk or in the middle of an ordinary day. I have learned that creativity rarely follows rigid rules. Instead, it appears when I make space for movement, observation and imagination. Writing feels most natural when I allow myself to follow where the creative process wants to go.

Sathari Kam, author of Footprints in the Forest.

Thomas C. Hosey

Many of my story ideas begin with articles I've collected and saved because they sparked my curiosity. After exercise, whether that's running, swimming or playing pickleball, I find myself in the perfect mindset to write. My goal is usually around a thousand words a day, though I try not to become obsessed with numbers. Before starting something new, I revisit previous chapters, allowing myself to reconnect with the story before moving forward. Once I reach what I call "movie mode", the story plays out in my imagination as vividly as a film.

Thomas C. Hosey, author of Dragon Fire.

B.T. Ellis

My favourite writing times are either very early in the morning or late at night, when the house is quiet and distractions disappear. I begin with a notebook and write everything by hand before transferring ideas to a laptop. Music or podcasts often help create the atmosphere I need to write. Most importantly, I prefer a private, enclosed space where I can work without interruption and allow my thoughts to flow freely onto the page.

B.T. Ellis, author of The Problem with the Big Red Barn.

John Pucknell

My book grew from a travel blog I wrote during a long walk from Ireland to the south of France. Every evening, no matter where I happened to be sleeping, I recorded the day's experiences on my phone. Back home, I revisited those notes and shaped them into a larger narrative by identifying themes, patterns and moments worth exploring further. Travel, reading and reflection all play important roles in my writing, helping me transform personal experiences into stories with greater depth and meaning.

John Pucknell, author of Through Cloud and Sunshine: Galway to Nice on the E2 Trail.

Lise M. Bedard

Balancing a full-time career with writing means I often have to make the most of the time available. I try to write a little every day because maintaining momentum helps me stay focused and connected to the story. Retirement will soon provide more freedom to pursue future projects, but even now, I have learned that consistency matters more than having endless hours to spare.

Lise M. Bedard, author of BUNCO.

Milton Klein

Coming from a non-fiction background, writing fiction challenged me in entirely new ways. I usually begin with a rough outline, but I've learned that characters have a habit of taking control and leading the story somewhere unexpected. More than once I've found myself awake in the early hours with a new solution to a plot point that simply wasn't working. When inspiration strikes, I head straight to the computer and allow the characters to guide the journey. Writing has taught me that stories often know where they want to go long before the author does.

Milton Klein, author of Desperate Measures.

Jennifer Cudia & Sara Cudia

Our stories begin as a collection of shared ideas, notes and character descriptions gathered into a single document. Once we've established the foundation, we map everything out and begin writing together, often discussing scenes, dialogue and plot twists in real time. Because we live in different states, much of our collaboration happens over FaceTime, where we can brainstorm and problem-solve together. As mothers of young children, writing usually happens after bedtime, but the ability to create stories together remains one of our greatest joys.

Jennifer Cudia and Sara Cudia, authors of The Secret of Hemlock Forest.

Aaron Boasman-Patel

My writing routine rarely follows a schedule. Between a full-time career, family life, children, a dog and all the wonderful chaos that comes with modern living, most of my writing happens late at night when everything else has finally gone quiet. Ideas often stay with me for days before I write them down, turning over in my mind until I understand why they matter. Much of my work explores spirituality through everyday experiences, because I've come to believe that the most meaningful lessons don't happen in extraordinary places. They happen in ordinary life when we take the time to pay attention.

Aaron Boasman-Patel, author of Sacred and Slightly Tipsy.

Debbie Ditchfield

Writing my first book began with my nephew Adam's beautiful illustrations and a desire to bring them to life through words. My process involved a lot of tea, pacing around the house and talking to myself while trying to make every rhyme work. There were certainly moments when I considered giving up, but encouragement from my family kept me moving forward. Looking back, I'm grateful I persevered because the finished story now allows me to share those wonderful characters with my grandchildren and young readers alike.

Debbie Ditchfield, author of Winona the Good Witch.

Author of The Smoke That Mystifies

Routine plays an important role in my creativity. My day begins with relaxing music, qigong and a short fitness session designed to clear my mind and create a sense of calm. I write during specific periods each day and try not to interrupt that structure. For me, the expectation of sitting down to write at a particular time is what makes the process work. Creativity flourishes when supported by consistency, focus and discipline.

Author of The Smoke That Mystifies.

Lawrence Harding

Some of my best ideas arrive while swimming. What began as a fitness routine soon became something far more creative. With no phones ringing, no emails arriving and no distractions demanding attention, my mind is free to drift into new adventures for Olulu and Storm. Many of the stories first came to me while swimming laps, and I would later turn those imaginings into tales for my grandchildren. Sometimes inspiration appears when we create space for it.

Lawrence Harding, author of Olulu & Storm's Adventures with Tim: Trouble by Three: Pillow Shred.

Roy Havardi

I'm very much a night owl, and I often find that my best ideas arrive when the world has gone quiet. Many stories begin while sitting in an old rocking chair that has become my favourite place to write. I enjoy writing longhand before transferring ideas elsewhere, and I love spending time in nature where imagination can wander freely. I don't follow a strict schedule. Instead, I trust inspiration to arrive when it's ready.

Roy Havardi, author of The Girl Who Wanted to Fly.

Kaye Lopez

Every project begins differently. When writing children's books, I usually start with the characters themselves, sketching them in different poses, costumes and situations before developing the story around them. Visualising the characters first allows me to understand who they are and how they interact with their world. By the time I begin writing, they already feel familiar, making the creative process both enjoyable and intuitive.

Kaye Lopez, author of Lulu's Big Dreams.

Erika Silverman

My approach to writing is wonderfully simple. If inspiration arrives, I write. I don't wait for perfect conditions or complicated routines. Most of my stories begin with a good idea that refuses to leave me alone, and I follow it wherever it leads. Sometimes the simplest creative habits are the most effective.

Erika Silverman, author of Can You See Me, Let the World See You.

Ellen Vale

Most of my stories begin with a small idea that grows as I write. Sometimes I know the ending from the start and build everything towards it. Other times the story surprises me and heads in a direction I never planned. I enjoy that unpredictability. As long as I remain interested in what I'm writing, I'll continue following wherever the story wants to go.

Ellen Vale, author of Assumptions and Misadventures.

Joanna Jenson

My writing routine usually begins with coffee, a blank page and a determination to create something magical. Unfortunately, my characters often have very different ideas and seem determined to take control of the story themselves. The hardest part is often finding focus, but once I enter that creative zone, hours disappear. Writing teaches humility because no matter how carefully you plan, the story always seems to have opinions of its own.

Joanna Jenson, author of Echoes That Start.

Nell Kirsten

My writing process developed organically through years of collecting memories, conversations and experiences from life on the road. Rather than forcing myself to write complete chapters from start to finish, I gather fragments whenever inspiration appears and trust that they will eventually connect. Research and conversations with people behind the scenes in the live events industry helped shape my book, but above all I learned that the first draft simply needs to exist. You cannot edit a blank page.

Nell Kirsten, author of On the Other End of the Cable.

K.L. Thorneisle

Music is at the heart of my creative process. A single piece of music can trigger an entire scene, character or plot point, and I quickly capture those ideas before they disappear. Over time, those fragments begin connecting to one another until a larger story emerges. I don't force creativity. Instead, I collect moments of inspiration and allow them to reveal the story they belong to.

K.L. Thorneisle, author of Unbound: A Shattered Oath Series.

Author of The Trinity Stone

I like to capture ideas quickly before worrying about perfection. The first stage is all about momentum, getting the story onto the page while the original spark is still alive. Editing, refining and researching come later. Once a rough draft exists, I can improve details, strengthen descriptions and make sure everything works. The important thing is allowing creativity to flow before becoming distracted by revision.

Author of The Trinity Stone.

Artur Spanjolli

Ideas often stay with me for many years before becoming books. The inspiration for The Roosters Crowed Differently came from a story my grandfather told me as a child. That single image remained in my imagination for decades until the right moment arrived. Once I clearly understood the world and characters, I wrote steadily each morning, allowing the story to emerge almost fully formed. For me, writing is not about waiting for inspiration forever. It is about recognising when inspiration has matured enough to become a finished work.

Artur Spanjolli, author of The Roosters Crowed Differently.

Wade Murphy

Many of my stories begin during walks with my dogs. I always carry my phone to take photographs because almost anything can spark a new idea, whether it's a landscape, an animal encounter or a simple moment shared outdoors. I often compare writing to building a snowball. It begins very small and gradually gathers momentum, detail and imagination until it becomes something much larger than the original idea.

Wade Murphy, author of Adventures of Niya and Jaxx: A Modern Christmas Story.

Oskar Freysinger

My writing routine is less about schedules and more about sleepless nights. Ideas have a habit of arriving when I should be sleeping, and if I don't write them down immediately, they simply won't leave me alone. Many stories begin in those quiet hours when creativity is at its most persistent. Writing has become my way of finding peace again after inspiration appears.

Oskar Freysinger, author of Svalbard.

Godwin Ubong Akpan

My professional life revolves around public health and data, but behind every statistic lies a human story waiting to be told. Ideas arrive in airports, traffic, hotel rooms and countless unexpected places, so I make a habit of capturing them wherever I am. I plan loosely because characters rarely behave as expected. My strongest belief is that stories grow from ideas that refuse to leave us alone. If something continues to occupy your thoughts, chances are there's a story hidden within it.

Godwin Ubong Akpan, author of Born to Aid: Heroes in Health Capes.

Nichole Ann St. Hill

My day begins before sunrise with two dogs, quiet reflection and what I call "Coffee with God". After prayer, journalling and a trip to the gym, my mind enters a highly creative state where ideas begin organising themselves into stories. The afternoons are dedicated to transforming those ideas into books, scripts and short stories. While travel occasionally provides additional inspiration, I've found that a combination of routine, movement and reflection consistently unlocks my most creative thinking.

Nichole Ann St. Hill, author of Poppy Goes to a Party.

John Samuel

My writing journey comes from lived experience and observation. Every story grows from moments, people and lessons gathered throughout life. Rather than following a complicated process, I focus on capturing experiences honestly and allowing the story to emerge naturally from them.

John Samuel, author of Cassava Peasant Became Advisor to Prime Ministers.

Andrew Newton

Writing fits around my night shifts, family life and plenty of dog walking. Some of my best ideas come while walking my dog, Jupiter, giving me time to think through plots and characters before sitting down to write. I keep a notebook full of research, photographs and ideas for every project, and I rarely write without it nearby. Whether I'm working from my conservatory, a library or a coffee shop, I need a peaceful space where I can focus. Writing never feels far away because even when I'm not at the keyboard, I'm often composing scenes in my head.

Andrew Newton, author of The Sleep of Boh Hippo.

Rob Schapiro

My handwriting has never been able to keep pace with my imagination, so I write directly onto a laptop. The challenge is often finding room for both the laptop and my lapdog at the same time. For me, writing isn't about finding the words, it's about finding the right keys fast enough before the idea disappears. Creativity often arrives unexpectedly, and I try to capture it before it has a chance to escape.

Rob Schapiro, author of The Very Baffled Book.

Rohitash Rao

Music plays an important role in my creative process. Before I begin writing, I create playlists that help me get excited about the project and establish the right mood. Whether it's a compilation of favourite songs or a carefully curated Spotify playlist, music helps me enter the creative headspace needed to bring stories to life.

Rohitash Rao, author of The Very Baffled Book.

Laura Roybal

Life has never left much room for strict writing routines. Between family commitments, work and volunteer activities, writing has always needed to fit around everything else. I write because I love imagining different worlds, times and possibilities. My stories often begin with historical research and evolve over months or years as new ideas emerge. One of the most important lessons I've learned is that writing should remain enjoyable. A book doesn't need to be finished quickly. It simply needs to be written.

Laura Roybal, author of The Patriarch: Luke Josiah Sebastien.

Author of To Love an African Violet

As a full-time lawyer, most of my writing happens during early mornings and weekends. Working around a demanding professional career means progress can sometimes feel slow, but it also gives me time to reflect on what I've written and return to it with fresh perspective. Each revision allows the story to become stronger, deeper and more fully developed.

Author of To Love an African Violet.

Taryn Littlejohn

My writing is closely connected to my career as a teacher. Many ideas emerge from conversations, creative writing activities and the remarkable imaginations of the children I work with every day. I keep notebooks full of character ideas, snippets of dialogue and observations that gradually build into larger stories. Teaching and writing continually feed into one another, helping me explore storytelling from new angles and reminding me that creativity often thrives when ideas are shared.

Taryn Littlejohn, author of The Power of Yet.

Trip Mackintosh

Every story begins with a mission. I look for important social issues that can be explored through compelling characters and engaging adventures. Research, interviews and real-world experiences form the backbone of my writing process. For Defend the Sunrise, countless conversations with wildlife rangers shaped the narrative and helped bring authenticity to every page. I often write in cafés, think through scenes throughout the day and rely heavily on collaboration and feedback from trusted people around me.

Trip Mackintosh, author of Defend the Sunrise.

Devin Staurbringer

When an idea captures my attention, I begin by opening a blank document and writing down absolutely everything that comes to mind. Dialogue, plot points, descriptions and random fragments all find their way onto the page. Eventually, the true starting point of the story reveals itself and the narrative begins taking shape. I also find inspiration through audiobooks, films, libraries and bookstores. For me, writing is about taking one small step after another until an idea becomes a finished story.

Devin Staurbringer, author of Hominum Animalium (Human Animals).

Chrissie Lackey

Armed with my trusty sparkly blue notebook, I collect ideas wherever they appear. I often write from my kitchen table overlooking the Welsh hills, accompanied by a comforting cup of tea and plenty of imagination. Characters usually arrive first, often as quick sketches or little drawings, before growing into stories of their own. My favourite piece of advice is to never fear the blank page. Even a simple sentence can unlock a whole world of possibilities.

Chrissie Lackey, author of Splat the Pumpkin.

Jim Thompson

My stories develop visually before they ever appear on paper. I often imagine scenes and illustrations unfolding in my mind before writing the narrative itself. Keeping the process flexible allows stories to grow naturally without feeling constrained by rigid outlines or detailed plans. Once the story exists, careful editing helps refine the themes and ensure every word earns its place.

Jim Thompson, author of Alice and Her Magic Bathmat.

Rachel L. Dunn

Inspiration can arrive anywhere, whether through travel, family adventures or simple everyday moments. Spending time with my nephews has taught me that children see magic where adults often overlook it, and that perspective frequently finds its way into my stories. I love writing in quiet places near water, where the calm environment helps me focus and allows ideas to develop naturally. For me, storytelling is an extension of curiosity, imagination and observation.

Rachel L. Dunn, author of The Magic Tent.

Lawrence Pagett

My writing process begins with intuition. Ideas often arrive unexpectedly and reveal themselves gradually rather than through careful planning. Once I have a direction, I sit down at the laptop and trust the story to unfold. I rarely know exactly where a book will lead when I start writing and that's part of what makes the process so exciting. Creativity, for me, is about following inspiration, remaining open to surprises and enjoying the journey as much as the destination.

Lawrence Pagett, author of Alma Magic!.

Author of The Quiet That Screamed

Most of my writing happens after dark when the world has quietened down. Memories, experiences and emotions often form the basis of my stories, and I have learned not to force the process when inspiration isn't ready. Sometimes I write for hours and lose all track of time. Other evenings, a single sentence is enough. Writing has become an act of listening carefully to the stories that persist long after a moment has passed.

Author of The Quiet That Screamed.

Esther Haart

I never intended to write a book. The stories simply emerged from real experiences I encountered while working in emergency accommodation. Recording those events helped me process and understand situations that often felt unbelievable. Over time, I realised there was a larger story waiting to be told. Writing requires complete peace and focus for me, and my best work happens when I can spend long stretches immersed in the story with no distractions.

Esther Haart, author of Lost Souls.

Suzanne Turbitt

Every writing session begins with a cup of tea and a couple of rich tea biscuits. From there, I sketch out the foundations of the story using the classic five W's: who, what, where, when and why. Creating strong characters and a well-defined world helps me immerse myself in the narrative. Before finishing for the day, I always read my work aloud. It's a simple habit that helps me hear the story as readers will experience it.

Suzanne Turbitt, author of Risborough Hall: A Ghost Story.

Lisa Stathoplos

Many of my books begin in dreams. Scenes, memories and ideas often arrive while I'm asleep or in the quiet moments before waking. Keeping a notebook nearby allows me to capture those fleeting thoughts before they vanish. My favourite part of writing is editing and refining, continually shaping the work until it feels complete. Writing teaches patience, persistence and the importance of simply beginning even when the destination isn't entirely clear.

Lisa Stathoplos, author of Forsythe the Forlorn Firefly.

Diane Webb

As a working parent, writing happens wherever I can find the time, often on rainy weekends or during holidays. Inspiration for my stories tends to come from close observation of everyday life. In the case of The Sock Monster, years of seeing misplaced socks gradually developed into a story idea. Writing for me is a combination of observation, imagination, persistence and countless revisions until the story finally becomes what I hoped it would be.

Diane Webb, author of The Sock Monster.

Naomi E. Roundtree

Ideas often stay with me for weeks before I commit them to paper. During that time, I gather experiences, thoughts and inspiration until a particular direction becomes clear. Once I start writing, the process becomes all-consuming and may occupy my full attention for days. I also keep sticky notes close by because inspiration rarely arrives at convenient times. My advice is simple: find the creative rhythm that works for you and embrace it wholeheartedly.

Naomi E. Roundtree, author of The Forest is One of My Favourite Places.

Robin E. Bailey

My writing grew from a desire to tell stories clearly and directly. Years of reading taught me that readers don't want unnecessary distractions. They want to be drawn into the action and kept moving through the narrative. Writing became an outlet following personal loss, allowing me to channel ideas into stories with pace, momentum and engaging characters. For me, storytelling works best when every page keeps the reader wanting more.

Robin E. Bailey, author of Another Twenty Happenings.

Suzanne Hodgson

Before I write, I create a calm environment where creativity can thrive. I light a candle, settle into a comfortable space and allow the sounds of nature to drift through open windows. My dog Ivy is usually nearby, and together we create an atmosphere that feels peaceful and inspiring. Once everything is quiet and settled, I can focus on the story and allow my imagination to take over.

Suzanne Hodgson, author of SJ You Are Most Welcome Here!.

John Elsom

My writing day begins with routine. I sit down at my desk each morning after breakfast and work steadily until lunchtime, allowing myself to become fully immersed in the task at hand. Yet writing rarely stops when I leave the desk. The world constantly provides new questions, challenges and ideas that continue working away in the background. I believe one of the writer's greatest responsibilities is to challenge assumptions and look beyond the clichés of the day. Through all of this, I find that humour remains essential. A sense of perspective and the ability to laugh can illuminate even the darkest subjects.

John Elsom, author of Big DaDa.

Ellis Janzon

Many of my ideas arrive during walks in nature with my dachshund. A memory, a conversation or a passing thought often finds its way into one of the many notebooks I keep nearby. My writing day begins early, usually with a coffee and a peaceful view of the garden while inspiration takes shape. I often combine writing with editing, allowing ideas and poems to evolve naturally over several mornings. For me, writing is a quiet conversation between observation, reflection and creativity.

Ellis Janzon, Author of This and That!.

E.G. Durst

Nothing has transformed my writing routine more than the notes app on my phone. Inspiration rarely arrives when it's convenient, so having somewhere to store names, phrases, snippets of dialogue and random ideas has become invaluable. Once enough pieces begin to fit together, I settle down with a hot drink and start shaping them into a story. My process isn't perfect, but it has proven reliable, allowing inspiration to find me wherever I happen to be.

E.G. Durst, author of Summer Bear.

Rex W. Last

My novels often begin with a single spark, whether that's a title, a fascinating historical detail or a dramatic scene that refuses to leave my imagination. Rather than plotting every aspect in advance, I prefer to write key chapters and allow the rest of the story to evolve organically around them. Frequent revision, trusted beta readers and a willingness to keep improving the manuscript are all vital parts of my process. Above all, I believe writing is a craft that rewards persistence, practice and the courage to keep going through rejection and setbacks.

Rex W. Last, author of Summer Snow.

Alistair Brooks

Routine is central to my writing life. Three evenings a week, after the rest of the household has settled down, I dedicate five uninterrupted hours to writing. Each session begins and ends with meditation, helping me focus during the work and switch off once it is complete. I believe strongly in the importance of discipline, regular breaks and maintaining balance. Writing is demanding, but creativity flourishes when supported by healthy habits and realistic routines.

Alistair Brooks, author of The God Thing: Humanity's Obsession with Certainty.

Alison Sweeney

For years I admired writers who followed strict routines, but eventually I realised that the best process is the one that works for you. These days, my creativity is often sparked by a walk, a notebook full of ideas or even listening to the radio while writing. Sometimes I jump around the story, working on whichever section feels most exciting at the time. The most useful advice I've ever received is simply to start writing. It doesn't need to be perfect. It just needs to exist.

Alison Sweeney, author of Slow Burn.

Mary Ireland

My writing fits around a demanding legal career, which means most of my storytelling happens during the evenings. Characters follow me throughout the day, and I often find myself jotting down ideas whenever inspiration strikes. I've learned never to force creativity. If a particular scene isn't working, I leave it alone and return when it feels right. Writing should feel enjoyable, not like another deadline.

Mary Ireland, author of Adam's Ants (Crotchet Club Series).

Sukhraj Singh

For me, writing is about honesty above all else. Every word should reflect genuine feeling, and every piece of writing should resonate first with the author before it reaches a reader. I believe there is no universal formula for success. Instead, I read and reread my work until I feel the emotion behind it. When a piece truly connects with me, I know it has the potential to connect with others as well.

Sukhraj Singh, author of Walking Through Shadows & Light.

Mandalannas

My creative routine is wonderfully simple. It begins with coffee, a laptop and a determination to create. When ideas become stuck, I often turn to painting, using visual creativity to unlock new pathways in my thinking. Moving between art forms helps keep inspiration flowing and reminds me that creativity rarely follows a single route. Sometimes the best way forward is to step sideways.

Mandalannas, author of Number Stories.

E.M. Souza

My writing process is spontaneous and deeply connected to the human experience. I don't rely on structured routines or elaborate preparations. Instead, I focus on observing life, understanding people and capturing moments that reveal something meaningful about the journeys we all share.

E.M. Souza, author of Reflections Through an Hourglass.

Steven Linke

Most mornings begin long before sunrise as I head off to work in construction. Story ideas often accompany me throughout the day, and I jot them down whenever they appear. Many draw inspiration from conversations, family life and moments that children might find amusing or exciting. For me, a story should have rhythm, momentum and an ending that leaves readers wanting more. Writing began as a personal challenge, but quickly became something far more rewarding.

Steven Linke, author of The Dragon with No Name.

Stan Lovesavage

I dedicate a little time to writing most days, but I believe the real inspiration comes from living an interesting life. New experiences, passions, challenges and adventures all contribute to creativity and help shape a unique voice. Writing is not simply about sitting at a desk. It is about absorbing the world around you and transforming those experiences into something meaningful.

Stan Lovesavage, author of Preludes to Union: An Alchemical Process.

Mark Rigby

Every story begins with character. Before I write a single chapter, I spend time understanding who my characters are, what motivates them and how they fit into the world I'm creating. Once I know them well enough, the plot begins to reveal itself. Although I sketch out the overall narrative, many details evolve as I write. For me, storytelling is like solving a puzzle one piece at a time, slowly uncovering the twists, connections and surprises hidden within.

Mark Rigby, author of MindSong.

Iain Grant

My writing journey has been anything but typical. I began my book many years ago, only to face unexpected health challenges that put everything on hold. Returning to the project years later gave me a new appreciation for the creative process and a renewed determination to finish what I had started. Now retired and able to dedicate more time to writing, I view every page as something of a triumph and a reminder that stories can wait patiently until we are ready to tell them.

Iain Grant, author of The Snargle.

Julie O'Brien Harreboe

I don't follow a strict writing schedule. Instead, I collect ideas whenever they arrive, keeping notes on characters, scenes and snippets of dialogue. Sometimes I write chapters out of order, focusing on whichever part of the story excites me most at that moment. A quiet space, a cup of tea and a little freedom from perfectionism are often all I need to begin. Writing should feel like an exploration rather than an obligation.

Julie O'Brien Harreboe, author of Don't Lose Your Sparkle.

John Manderino

My writing day begins with coffee, the sound of rain and the determination to tackle whatever challenge awaits in the manuscript. Some mornings are productive, while others involve battling stubborn plot problems or wandering down entirely different creative avenues. Writing requires patience, persistence and occasionally a willingness to accept that not every day will unfold as planned. The important thing is returning to the page and trying again.

John Manderino, author of And Jill Came Tumbling After.

Chalaine Cuthbert Komadoski

My writing toolkit is simple: a laptop, a notebook and my Bible. I begin each project with a general idea of where the story starts and where it might end, leaving plenty of room for discovery in between. Ideas arrive unexpectedly, so I keep notes close by and collect phrases, scenes and inspirations as they appear. Balancing family life, business and writing requires flexibility, but when creativity begins flowing, stories have a way of finding their own path.

Chalaine Cuthbert Komadoski, author of Becoming Phoebe.

Lucy King

Inspiration can come from almost anywhere. That's why I always keep a notebook nearby to capture ideas that emerge during ordinary days or from the workings of an overactive imagination. For me, writing is about staying open to possibility and allowing unexpected moments to become the seeds of future stories.

Lucy King, author of Alfie Goes to the Isle of Wight.

Bz Nowack

As a poet, my writing routine is wonderfully unpredictable. A single word overheard in conversation or a brief moment during a journey can become the beginning of something larger. I often write while travelling or moving through the world, collecting ideas in journals and returning to them later. Some become poems, others disappear entirely, but every fragment has the potential to become something meaningful.

Bz Nowack, author of Tell Me When You're Done Counting.

Author of Long Grass Calling: A Fortunate Childhood

My stories often build within me for long periods before I sit down to write. By the time I begin, the words arrive quickly and intensely, almost as though the story has been waiting for permission to emerge. I focus first on capturing the core narrative and leave refinement and detail for later drafts. Writing, for me, is an act of release rather than careful construction.

Author of Long Grass Calling: A Fortunate Childhood.

Andrew K. Hull

Every story begins with a photograph and a memory. Looking through pictures of Lord Barney helps me relive moments and imagine what he might have been thinking if he could speak. Once inspiration strikes, I can spend hours developing those moments into stories, often revisiting and rewriting sections until they feel just right. The process is playful, imaginative and deeply enjoyable.

Andrew K. Hull, Author of The Adventures of Lord Barney.

L. Rizzi

My routine is wonderfully simple. I clear my mind with a walk, make a large latte, settle into a comfortable chair and begin writing. Removing distractions and creating a calm environment allows the story to take centre stage. Sometimes the simplest routines provide the space creativity needs to flourish.

L. Rizzi, author of Home Run Horror.

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